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Rogue Amoeba happened to provide a solid option called Nicecast, allowing Cohen to create an online radio station to broadcast shows and replay past recordings during off hours. All they needed next was a way to broadcast it out. The music was finally available at a speed that could translate live and a quality the band was comfortable with. Cohen purchased a few Waves plug-ins (studio quality tools like multi-band compresser C4 and maximizer L2) to improve the final audio mix. AdvertisementĮventually for the quick recording purposes, the band settled on Audio Hijack Pro from Rogue Amoeba-a program designed to create high quality recordings from the Web or off an app like Skype. While fiddling with Logic, he noticed the program could recognize the SC48 the device's drive made it possible for other audio programs to access it. But Cohen quickly recognized it wasn't going to work within this plan (try bouncing to MP3 quickly enough for a live feed). The mixing console came with Pro Tools LE8, so they started there. The tinkering went down during a 12-hour experimenting session in New Hampshire last summer. Taking the band's digital mixing console, an Avid Venue SC48, Cohen and the band's sound engineer set out to find a way to use this technology for livestreaming. That’s exactly what Cohen and company did.
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I thought in this age if we have an idea, you can Google until you find a way to do it." "We had a talk-we knew some bands who were doing live audio streaming through UStream, but their results weren’t the best. '1998 called and they want their technology back,'" Cohen said. "A friend bought one and showed it to me.
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Recently, the band started touring with a digital mixing console to create live recordings they'd sell via USBs ( 320kbps MP3 fortmat) while on tour. But what’s out there tended to be a pair of mics at the back of the room and it didn’t sound that great.
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"We've always tried to get good, quality recordings out there. "As long as we've been a band, we’ve had a good relationship with tapers," said Jason Cohen, keyboardist for blues outfit, The Ryan Montbleau Band. It's among the first results on any YouTube song search, venue partnerships exist such as NPR's "Live In Concert" series, and you can always find modern incarnations of the tape exchange (like the popular ). Today, firsthand concert audio can be accessed much easier.
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He started out with a Japanese portable tape machine but insisted the real quality recordings didn't come until '74, when Sony came out with the 152 and the ECM-99 stereo microphones. Les Kippel remembered smuggling in extra batteries, tapes, and microphones so he could capture an entire evening. It was an informal network of Deadheads willing to share tapes with each other in person or via mail, some described it as the original Napster.
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Concert taping is at least forty years old-the First Free Underground Grateful Dead Tape Exchange formed in the early 1970s after all.